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Writer, Editor, Designer

Posts tagged literary fiction

Our first reading period has officially closed and we’re nearing our final line-up for our first issue, which we’ll be announcing soon. In preparation for this momentous event, we’re fundraising to supplement our costs—printing, website, Submittable, paying writers!

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Skip the lines and pre-order the first issue!

Our mission is simple: we want to publish the best fiction, poetry, and non-fiction from all nooks and crannies of Space/Time. Readers and writers alike will shape the mythology and history of the town by voting in town elections, writing news stories, submitting patents for various inter-dimensional inventions, et cetera.

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The perks are perky!

One of the perks of our Indiegogo Campaign is as simple as pre-ordering the inaugural issue.

There’s a ton of other stuff: stickers, t-shirts, movie posters from Outlook Springs-only films, like Moon Tuba. There’s a special Mystery Box from our Mayor, Judy Hernandez, who is in no way a cat. You can also buy a crooked politician or a local business.

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Be the most fashion-forward of your lit clique!

Right now, we’re running a raffle to win a FREE Fashion Fish T-shirt or a Buried in Books T-shirt: find us on Facebook and share this post for a chance to win. (No purchase necessary! Valid in all contiguous dimensions!)

Help us get this amazing wordwork out into the multiverse. Support an emerging literary magazine. Never mix bleach with ammonia. Vote early, vote often. Eat kale. Let literature plug the leak in your sad, corrupt, mortal heart.

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I made this.

Later this month, I’ll be reading at my final Read Free or Die event. This is also, almost, my favorite poster that I’ve designed since I took over that duty.

Then, next month, I’ll read from my thesis as the last act required before I am officially a Master of Fine Arts, or, as I’ve been corrected, a Mother Fucking Author.

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I made this too,

After that, I’ll be on by own, writing without a deadline, trying to make ends meet by designing books and their covers so I don’t have to get a jobby-job, maybe teaching if I can swing a fiction gig, fingers crossed that I’ll start getting stories published, and begin work on the novel.

I’ve gotten seventeen rejections in the past month. All of them felt pretty awful, except today, I got my second tiered rejection from the New Yorker. Since they usually don’t even respond to the slush, I’m considering that a big win.

Insert pithy last line to round out this post which has ostensibly no connective tissue.

I’m not interested in a literary fiction versus genre argument, because that argument is basically dead and lovingly illustrated by Edan Lepucki: literary fiction is a genre with its own rules and conventions just like any other genre. The overly-long title and adultery are litfic’s version of the YA love-triangle and chosen-one narrative.

But what I do want to do is use this example to talk about cis straight white guyness. For a long time, genre was genre and literary fiction was literature. It was the sort of neutral category. Hell, it basically is. Go to a bookstore. There’s the literature section, which takes up much of the store, and mystery and scifi and whatnot have their own little sections. But it’s changing. Surely but slowly, those lines are blurring and good. And all the better that we continue to define literary fiction as its own genre.

The problem that’s been bouncing around my head lately is how that’s a great analogy for what’s going on with social justice movements and discussions of privilege. For a long, long time now, we’ve had the privilege of our society treating us a neutral, as normal. Cis, straight, white, maleness is the literary fiction of culture. We’re just literature. Everyone else has been relegated to the sides of the store.

But now, people are actually starting to have conversations (and really, have been having these conversations for a long ass time, but some of us are just finally starting to listen) about the privilege we get from not being “genre.” Just as Lepucki outlined the conventions of litfic, the conventions of cis, straight, white, maleness are starting to be defined, outlined, discussed. And so far, the results have not been pretty.

Sure, there’s been some good rib-tickles, like Stuff White People Like, and we laugh. HAHA, I *do* like camping and Moleskines! But when men as a group are discussed, suddenly we have #notallmen belittling women’s lived experiences. We get GamerGaters doxxing and sending death and rape threats to women gamers, developers, and journalists. When discussing the very real danger black people face just leaving their houses, white people have to hedge the criticism of institutional racism with #alllivesmatter.

purpose (1)There’s a part in Kurt Vonnegut’s Breakfast of Champions where Kilgore Trout goes into the bathroom and someone has written on the stall door, “What is the purpose of life?” And Trout writes underneath, “To be the eyes and ears and conscience of the Creator if the Universe, you fool.” Which has always invoked to me that I should be mindful about what I’m telling the Creator of the Universe. Because we are defining ourselves and the kind of world we live in every day with every decision. Every word, every action, every stupid, insensitive tweet, defines the Universe and tells the next humans in line what kind of a culture we have here.

So when I see cis people being shitty to the non-cis or gamer dudes threatening women, or white people shitting on black people for daring to speak out about how our culture has been shitting on them, I can’t help but think, “What the fuck are you doing? What are you telling the Universe?” Really? At a time when being white, being straight, being a man, is finally being defined in and of itself, and not generally accepted as neutral or normal, this, THIS is how you’re choosing to define yourself?

Listen up: we are not neutral anymore. We don’t get the best placement in the bookstore anymore. We’re sharing with genre now, and it’s about goddamn time. We were never special except by our own often violent insistence. Culture is renovating, redefining and we can help or we can see what’s left when all is said and done. Because if we don’t start defining ourselves now, in a positive way, in a way that doesn’t reinforce the imbalanced status quo, we’ll be left with the scraps.

So If you don’t want “white” to be synonymous with “racist” then do something to stop racism and stop making excuses for it. If you don’t want “male” to be synonymous with “sexism” then stop being sexist and stop making excuses for sexism. If you don’t want “straight” to be synonymous with “homophobic”. . . then start sharing your shelf space.

I did not win the 2014 Missouri Review’s Jeffrey E. Smith Editors’ Prize. Nope. Lost! DID NOT WIN. But I was so excited about the results I told everyone, jumped around (figuratively), and had such a goddamn big smile on my face, that four more rejections that week did little to scuff my shine because I was a semifinalist. Which means I was in the top 25, that elite 1% of stories that made it to the final rounds. Holy hell.

Early in your writing career, the reward system of your brain gets rewired. We face so much rejection that even the tiniest wins seem monstrous achievements. We might break our legs over and over trying to ascend Everest and almost die of exposure, but you should see us dance when we actually step up a curb without falling on our asses.

We check RejectionWiki for the slightest chance that we got a higher-tier form rejection letter, something our published advisors have said is like trying to read fortunes in tea leaves. We brag to our fellow writers about that Raiders of the Lost Ark golden idol of a personal rejection—sure we lost to some pompous prick and were almost killed by Amazonians, but by golly, someone fucking noticed us.

So sure, I lost the contest and had stories rejected almost 40 times last year, but this time, this time, that Pavlovian response of dopamine is mine and I’m going to savor that son of a bitch.